Once again is music to inspire fashion: you perceive it immediately from the soundtrack of Clockwork Orange, the notes on which paraded in New York the spring/summer 2015 collection of Marc by Marc Jacobs. More than the music itself is probably the rockstar lifestyle that drove the creativity of designers Luella Bartley and Katie Hillier, in proposing a perfect figure of London’s East End as manifesto of rebellion, youth and that borderline attitude that so well assume the punk-rockers of this area. And so the tradition is completely restored, as in polka-dot skirts, which totally forget the 50s to cut in net and square shapes: matched micro crop-top, careless of being appropriate, and therefore vaguely brazen. The woman proposed by Marc by Marc Jacobs seems to be an idealist, which has everything on her mind but being sexy, and even if sex should be her topic she pulls it off with the subtle aggressiveness of white nurse stockings, but proposed in latex and combined with chaste and childish mary-janes. Contemporaneity is found in the study of geometric proportions, aimed not at embracing the figure but rather to frame it in an urban environment inspired by the past but definitely declined in the future: probably the “New World System” glorified by oversize shirts and t-shirts.