Dance, Music, Theatre and Cinema: activities which do not simply work side by side to the Mostra Internazionale di Architettura, at Biennale Architettura 2014, but are strongly integrated to it. Monditalia is the section of the show at Corderie dell’Arsenale that engages all sectors affected by the Biennale, and that until November became a movie theater with four screens on four sides. Rossellini’s Stromboli, Il Vangelo secondo Matteo by Pasolini, Dario Argento’s Profondo Rosso, and many others, are the films that mark the exhibition, screened in their entirety to the audience of the Biennale, to rebuild for the visitor a mosaic of impressions. Proposals that, far from breaking away from the exhibition theme of the, stand as a fundamental reference for reflection on the landscape, natural and human, of Italy. And so primary source of inspiration for architecture: a delicate analysis in order to understand how each element is connected and how the architecture is an art and a discipline in deep contact with everything that surrounds it. Through the language of the masters of Italian cinema, Alberto Barbera, Director of Cinema, tells the characteristics and strong connotations, able alone to tell a story, of the architecture of Italian cities.
