{"id":13908,"date":"2020-06-04T20:57:47","date_gmt":"2020-06-04T18:57:47","guid":{"rendered":"http:\/\/www.thesignspeaking.com\/?p=13908"},"modified":"2020-06-05T14:09:26","modified_gmt":"2020-06-05T12:09:26","slug":"frederik-molenschot-lockdown-lights","status":"publish","type":"post","link":"https:\/\/www.thesignspeaking.com\/it\/frederik-molenschot-lockdown-lights\/","title":{"rendered":"Frederik Molenschot, design as art"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>&#8220;<em>Lo scopo del design \u00e8 quello di fare qualcosa di intelligente, bello ed ergonomico. Vedo il design come arte, adattata ad un essere umano o ad uno spazio<\/em>&#8221; dice Frederik Molenschot.<img decoding=\"async\" class=\"size-large wp-image-13912 aligncenter\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4-125x125.jpg 125w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-4.jpg 1432w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Il designer Frederik Molenschot (1981), si \u00e8 laureato alla Design Academy Eindhoven. Attualmente lavora ad Amsterdam e fa parte del Dutch Design Movement. La sua laurea aveva per tema il collegamento tra le persone e l\u2019ambiente, in particolare lo spazio pubblico.<img decoding=\"async\" class=\"size-large wp-image-13911 aligncenter\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1-125x125.jpg 125w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1.jpg 1112w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Fondatore dello\u00a0<a href=\"http:\/\/www.studiomolen.nl\/\"><strong>Studio Molen<\/strong><\/a>, Molenschot crea i suoi lavori a mano e dimostra un&#8217;incredibile diversit\u00e0. Ha un profondo interesse per gli elementi artificiali e naturali del nostro ambiente. Il suo scopo \u00e8 quello di trasportare i sensi dello spettatore ad un nuovo livello.<\/p>\n<p>Molenschot \u00e8 meglio conosciuto per le sue strutture di illuminazione in bronzo fuso, come il suo corpo di opere &#8216;Citylight&#8217;, che modella a mano in formazioni dettagliate per incanalare e dirigere la luce. Il suo lavoro si ispira all&#8217;illuminazione urbana e al cielo notturno, ispirando una visione di una citt\u00e0 futura.<img decoding=\"async\" class=\"size-large wp-image-13918 aligncenter\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-125x125.jpg 125w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen.jpg 1432w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Le <em>Lockdown Lights<\/em> sono disponibili nello shop online\u00a0<a href=\"https:\/\/carpentersworkshopgallery.com\/shop\/\"><strong>The Workshop Shop<\/strong><\/a> della\u00a0<a href=\"http:\/\/WWW.carpentersworkshopgallery.com\"><strong>Carpenters Gallery<\/strong><\/a>.<img decoding=\"async\" class=\"size-large wp-image-13910 aligncenter\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2-125x125.jpg 125w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2020\/06\/studio-molen-2.jpg 1170w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<table width=\"600\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/p>\n<table width=\"600\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>&#8220;Lo scopo del design \u00e8 quello di fare qualcosa di intelligente, bello ed ergonomico. Vedo il design come arte, adattata ad un essere umano o ad uno spazio&#8221; dice Frederik Molenschot.Il designer Frederik Molenschot (1981), si \u00e8 laureato alla Design Academy Eindhoven. Attualmente lavora ad Amsterdam e fa parte del Dutch Design Movement. La sua [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":13912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[21],"tags":[1684,27,1685,402,221,222,1683],"_links":{"self":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts\/13908"}],"collection":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/comments?post=13908"}],"version-history":[{"count":6,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts\/13908\/revisions"}],"predecessor-version":[{"id":13924,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts\/13908\/revisions\/13924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/media\/13912"}],"wp:attachment":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/media?parent=13908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/categories?post=13908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/tags?post=13908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}