{"id":7492,"date":"2018-05-29T16:01:36","date_gmt":"2018-05-29T14:01:36","guid":{"rendered":"http:\/\/www.thesignspeaking.com\/it\/?p=7492"},"modified":"2018-05-30T09:49:00","modified_gmt":"2018-05-30T07:49:00","slug":"auto-draft","status":"publish","type":"post","link":"https:\/\/www.thesignspeaking.com\/it\/auto-draft\/","title":{"rendered":"Cecilia Xinyu Zhang&#8217;s work at SaloneSatellite and for Northern"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>L&#8217;approccio al design di <a href=\"http:\/\/ceciliaxinyuzhang.com\/\"><strong>Cecilia Xinyu Zhang<\/strong><\/a>, si basa su indagini materiali e sperimentazioni di processo. Il suo recente lavoro esamina la relazione tra oggetto, spazio e spettatore in cui esplora l&#8217;idea di introdurre la coscienza spaziale in oggetti per alterare la percezione dello spettatore per l&#8217;oggetto e lo spazio.<\/p>\n<p>Nuovi prototipi sono stati esposti al <strong><a href=\"http:\/\/www.salonemilano.it\/manifestazioni\/salone-satellite.html\">SaloneSatellite<\/a><\/strong> \/ <a href=\"https:\/\/www.salonemilano.it\/\"><strong>Salone Internazionale del Mobile 2018<\/strong><\/a> e alcuni nuovi prodotti sono stati lanciati dal marchio Norvegese Northern.<\/p>\n<p>Nata nel 1989, Zhang ha una laurea in Design da HDK &#8211; Academy of Design and Crafts &#8211; G\u00f6teborgs Universitet nel 2014. Dopo la laurea ha lavorato al fianco di Marcel Wanders Studio prima di fondare il proprio studio. Ha ricevuto il premio stella emergente durante la fiera di mobili e luci di Stoccolma nel 2016 e il concetto di design Red Dot nel 2017.<\/p>\n<p>Zhang attualmente gestisce il suo studio omonimo a Bergen, in Norvegia.<\/p>\n<p>Lavora nella progettazione di prodotto, arredamento, installazione di interni e arte.<img decoding=\"async\" class=\"aligncenter wp-image-7499 size-large\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Collection-633x1024.jpg\" alt=\"\" width=\"633\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Collection-633x1024.jpg 633w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Collection-185x300.jpg 185w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Collection-768x1243.jpg 768w\" sizes=\"(max-width: 633px) 100vw, 633px\" \/>The Collection<img decoding=\"async\" class=\"aligncenter wp-image-7495 size-large\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Fractal_Chair_Collage-125x125.jpg 125w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Fractal Chair<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-7520\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage-125x125.jpg 125w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/SV_Collage.jpg 1985w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>SV<img decoding=\"async\" class=\"aligncenter wp-image-7496 size-large\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-1024x1024.jpg 1024w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-150x150.jpg 150w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-300x300.jpg 300w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-768x768.jpg 768w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Frame_closeup-Northern_Photo_Chris_-Tonnesen_COLLAGE-125x125.jpg 125w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>Frame, Photo Chris Tonnesen<img decoding=\"async\" class=\"aligncenter wp-image-7494 size-large\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/Nook-Northern_Photo_Chris_-Tonnesen-High-res-745x1024.jpg\" alt=\"\" width=\"745\" height=\"1024\" \/>Nook, Photo Chris Tonnesen<img decoding=\"async\" class=\"aligncenter wp-image-7497 size-large\" src=\"http:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/The_Fifth_D_Clock-683x1024.jpg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/The_Fifth_D_Clock-683x1024.jpg 683w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/The_Fifth_D_Clock-200x300.jpg 200w, https:\/\/www.thesignspeaking.com\/wp-content\/uploads\/2018\/05\/The_Fifth_D_Clock-768x1152.jpg 768w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>The_Fifth_D_Clock<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>L&#8217;approccio al design di Cecilia Xinyu Zhang, si basa su indagini materiali e sperimentazioni di processo. Il suo recente lavoro esamina la relazione tra oggetto, spazio e spettatore in cui esplora l&#8217;idea di introdurre la coscienza spaziale in oggetti per alterare la percezione dello spettatore per l&#8217;oggetto e lo spazio. Nuovi prototipi sono stati esposti [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":7498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,24],"tags":[61],"_links":{"self":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts\/7492"}],"collection":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/comments?post=7492"}],"version-history":[{"count":0,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/posts\/7492\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/media\/7498"}],"wp:attachment":[{"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/media?parent=7492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/categories?post=7492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thesignspeaking.com\/it\/wp-json\/wp\/v2\/tags?post=7492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}