More than 2,000 exhibitors from 37 countries. Industrial manufacturing, sustainable innovation, emotionalintelligence. The 63rd edition Salone del Mobile.Milano launches a new challenge: building worlds fit for the future The 2025 edition of the Salone, at Fiera Milano, Rho from 8th to 13th April is reinforcing its role as a strategic accelerator of sectoral excellence driving change. Inspired by the visionary approach of Pierre-Yves Rochon, Paolo Sorrentino and Robert Wilson. The first International Forum on Light. Five days of Talks and Round Tables. Tram, Communication Project Salone del Mobile.Milano 2025 by Dentsu Creative The countdown to the 63rd edition of the Salone del Mobile.Milano (8th-13th April, Fiera Milano, Rho)has begun. Once again it promises to be the industry’s leading international event with more than2,000 exhibitors (38% from abroad), 148 brands including first-timers and returnees, ranged over169,000 square metres of totally sold out net exhibition space, including over 32,000 square metresgiven over to the eagerly awaited return – following the success of the 2023 edition of The City of Lights– of the Euroluce Biennial (more than 300 brands, from 25 countries). Not to mention SaloneSatellite,with 700 designers under 35 and 20 international schools and universities. These figures summarise the result of intense scouting and promotional activity for an event that,every year gains the trust of a national and international supply chain that recognises the role of theSalone as a strategic platform for business, sustainable innovation and internationalisation, thanksto its ongoing commitment to intercepting an increasingly broad and profiled audience ofprofessionals from all over the world (more than 370,000 from 146 countries in 2024). A snapshot of the size of the exhibition is provided by one figure: 9,238,429,199 euros. This is the totalturnover of the Italian brands exhibiting in April, equal to 34% of the turnover of the entire nationalFurnishing Macro System (over 21,000 companies). To which 6,989,984,073 euros of foreign brandtotal turnover should be added, confirming the upward trajectory of the evolutionary path of theSalone model, an ecosystem that supports growth, promoting an innovative, sustainable, future-oriented business model. Preliminary site visit with Robert Wilson. Museo Pietà Rondanini, Castello Sforzesco ©Archivio Change Performing Arts Once again, new visions will fuel a Cultural Programme of the highest level with 3 site-specificinstallations, at the Salone and in the city: Pierre-Yves Rochon. Villa Héritage (Pavs. 13-15), PaoloSorrentino. La dolce attesa (Pavs. 22-24), Robert Wilson. Mother (Museo Pietà Rondanini – CastelloSforzesco). A multidisciplinary focus on lighting design, the absolute protagonist of the first edition of The Euroluce International Lighting Forum (10th-11th April, The Forest of Space Arena by Sou Fujimoto, Pav. 2); the Drafting Futures Talks and Round Tables that will bring together some of the brightest minds on the contemporary scene. Pierre-Yves Rochon. Villa Héritage, Salone del Mobile.Milano 2025 ©PYR Maria Porro, President of Salone del Mobile.Milano had this to say: “We closed the 2024 edition withrecord numbers: over 370,000 professionals from 146 countries. This year the Salone will yet again openin April with a totally sold-out exhibition area, despite the uncertainties of the global scenarios. A resultthat illustrates our constant commitment to improving the visitor experience, services to the public andexhibitors, promotional activities abroad, and the creation of new formats that have enabled us to forgenew strategic alliances over the past year in the United States, China, and – not least – to sign aMemorandum this January with Saudi Arabia, which will open up new opportunities for Made in Italy ina market in which sectoral exports are up 22.8%. Our mission has always been to turn the internationalspotlight on the sector’s excellence. In Milan, and throughout the world. The percentage of Italian andforeign exhibitors attending the last 10 editions of the annual exhibitions is 59.4%. A figure that, in theoverall context of international exhibitions, is a testament to the success of the Salone in its dual role asbusiness accelerator and content producer. As always, every year the Salone reinvests heavily not onlyin the trade fair but also in a leading Cultural Programme. In an ever-changing world, we are all calledupon to become part of a broader vision that enables us to interpret environmental, cultural, social,and technological transformations. For Salone, investing in culture means investing in the future ofcompanies, strengthening their competitiveness in the long term. Taking part in the Salone meansexhibiting, connecting and producing value, as well as actively contributing to the evolution of the sector,as part of a platform that fuels debate on scenarios and visions for the future.” Maria Porro continued: “In terms of competitiveness, our commitment to sustainability is alsofundamental, seeing us once again pursuing new goals as part of the ISO 20121 sustainable eventsmanagement certification process and furthering our commitment to raising exhibitors’ awarenessthrough the adoption of the Salone’s Green Guidelines for installations. Lastly, the Salone also meansSaloneSatellite: talents under 35. A creative reservoir, the only one of its kind in the world, that allows usto discuss the future every year, in an intergenerational dialogue. It is a huge opportunity: the Salone isindustrial manufacturing, creative capital and working capital, it is Milan, it is a bridge that takes us intothe world, it is young people. In 2024, the number of student visitors rose by 28.6%. This year we areready to renew the invitation with specially discounted tickets for those who are about to enter the worldof our sector’s infinite manufacturing professions. It is together with the companies, with the ‘thinkers’taking part in the 2025 Cultural Programme, and with young people, that we want to build worlds fit forthe future.” Sou Fujimoto. The Forest of Space Original Concept Sketch ©Sou Fujimoto Architect Claudio Feltrin, President of FederlegnoArredo, said: “It is the highest expression of our industrialmanufacturing and an indispensable asset for companies in search of new markets and new audiences;it is the international showcase at which a year’s work on research and innovation allows brands to‘explode’ in all their magnitude. And it is thanks to the strength of exhibitors and products that the Salone del Mobile.Milano continues to set trends and lead markets across the world, like the Oscars for film production. Over the years, the event has evolved, and renewed itself, but it has never lost its natural centre of gravity as the most attractive and important business fair for the design industry. There is no more powerful tool than the Salone del Mobile.Milano for tackling the industrial challenges facing the sector, and indeed it becomes even more so in tough economic times such as the present, in which the Salone becomes an instrument of industrial policy. More than 60 years ago, a group of wood furniture entrepreneurs came up with the brilliant idea of organising the fair in Milan, allowing potential customers from distant markets to come and purchase their products. Well, despite the fact that distances have become shorter and the world has changed, their idea continues to be a winner, because the Salone unleashes a contagious energy capable of bringing the world of design to Milan. It is from the pavilions at Rho Fiera that a long wave starts to break, taking in the city and involving the world of design in its broadest sense. Thanks to all the companies that have continued to believe in the Salone del Mobile over the years, because only together can we continue to build the strength of the sector and maintain our leadership.“ Four Annual Exhibitions and One Biennal Accompanied by the new communication campaign “Thought for Humans”, devised by DentsuCreative Italy –reminding us how every project must respond, in the name of emotional intelligence, to the needs of human beings- which entrusted the American photographer Bill Durgin with the task of making tangible the subtle relationship between human beings and material, the April 2025 edition of the Salone will feature four annual exhibitions: the Salone Internazionale del Mobile, the International Furnishing Accessories Exhibition, Workplace3.0, S.Project, and the Biennal Euroluce, for a total of over 1,000 brands, including 73 first-timers or returnees. In line with the evolutionary path undertaken since 2023, visitors will be at thecentre of an increasingly fluid and integrated experience again this year. In terms of layout, the latestinnovation is the loop-shaped redesign of four pavilions (13-15 and 22-24). The entire exhibition will beaccessible via new-themed routes, allowing visitors to take in the distinctive features of an unrivalledoffering. A new focus will be devoted to the all-Italian ability to create timeless objects, which theSalone 2025 is naming: A Luxury Way (Pavilions 13-15). While SaloneSatellite, with 700 designers from36 countries and 20 international design schools and universities, will once again hedge its bets ontalented youngsters under 35. The theme of the 26th edition is New Craftsmanship: a New World, aninvitation to re-imagine the universe of handmade products, beyond the vernacular. The aim is to activate a bridge between heritage and the future, starting from the idea that craftsmanship is capable ofgenerating new interactions with contemporary design in the name of sustainability and the value oflocal cultural identities. A powerfully stimulating reflection for a sector that, in its multiple productdeclinations, must respond to the needs of constantly evolving demand and new export geographies. Once again this year, ITA – Italian Trade Agency has provided important support for the Salone delMobile.Milano in creating new exhibition formats in the United States and China, two key markets.,The Salone continued its journey around Europe, Canada and India with its international promotionaltour Salone, Milano and beyond, finally accepting an invitation to take part in the 2025 edition ofItalian Design Day, promoted by the Ministry of Foreign Affairs and International Cooperation,represents the best of Made in Italy in the capitals of Mexico, Indonesia and Saudi Arabia. In April,ITA will reaffirm its commitment to the event, bringing the largest number of qualified foreignprofessionals from 35 different countries to Milan. The IBL-International Business Lounge (Pavs. 13and 15) will be there to welcome them. The European delegations will hail from France, Germany, Spain,and the United Kingdom, while professionals from further afield, such as Saudi Arabia, Australia,Azerbaijan, Canada, Chile, China, South Korea, the United Arab Emirates, Japan, India, Mexico, Qatar,Singapore, the United States, and South Africa are also expected. Coming soon: Thought for Humans. on the maxwalls lighting up Milan, the return of the Design Kiosk in Piazza della Scala (from 1st April), the Welcome Project, with over 100 students stationed at six key points in Milan, involving residents and visitors, easing the flow of information during the Week of Design, in collaboration with the Municipality of Milan, the Fondazione Fiera Milano, NABA, Nuova Accademia delle Belle Arti, the IED European Design Institute, the Politecnico di Milano – School of Design and Domus Academy. With lots more still to come. Design Kiosk, Salone del Mobile.Milano 2024, Project curated by DWA-Design Studio